Extraction BTS: Sam Hargrave strapped to the front of a car while holding a RED Monstro
Extraction BTS: Sam Hargrave strapped to the front of a car while holding a RED Monstro

“Extraction” BTS Footage Reveals Some Crazy Cinematography

2020-04-15
2 mins read

Netflix has released BTS (Behind the Scenes) footage of its upcoming American action thriller, Extraction. By looking at this video we can explore the crazy cinematography behind it. Check it out, and remember… Don’t try this at home.

Sam Hargrave strapped to the front of a car while holding a the Monstro
Sam Hargrave strapped to the front of a car while holding a the Monstro

“Extraction”: Directed by Sam Hargrave and screenplay by Joe Russo

Extraction, which is scheduled to be released on April 24, 2020, in Netflix, is an upcoming American action thriller film directed by Sam Hargrave and screenplay by Joe Russo.

Extraction: On-set photo: David Harbour, Sam Hargrave, Chris Hemsworth. Photo by JASIN BOLAND
Extraction: On-set photo: David Harbour, Sam Hargrave, Chris Hemsworth. Photo by JASIN BOLAND

The story is about Tyler Rake (Chris Hemsworth), a fearless black market mercenary, embarks on the most deadly extraction of his career when he’s enlisted to rescue the kidnapped son of an imprisoned international crime lord.

Watch the trailer below:

Crazy (and risky) cinematography

Recently, Netflix has released a making-of featurette that demonstrates some insane cinematography stunts in order to get the most exciting action shots for the film. In some of the shots, we can see Hargrave, which is also a well-experienced stuntman whose past credits include Avengers: Endgame and Captain America: Civil War, strapped to the front of a car while holding a camera to get the shot he wants for the sequence.

Sam Hargrave is being strapped to the front of a car
Sam Hargrave is being strapped to the front of a car

According to Hargrave, the sequences are assembled from a series of long shots that are stitched together to allow the continuity of the action. This kind of cinematography must be well-choreographed and coordinated. As stated by Hargrave: “The constant challenge is how to push the edge of the envelope to raise the bar for action”.

Extraction BTS: Sam Hargrave strapped to the front of a car while holding a RED Monstro
Extraction BTS: Sam Hargrave strapped to the front of a car while holding a RED Monstro

The constant challenge is how to push the edge of the envelope to raise the bar for action

Director Sam Hargrave

Shot on RED Monstro 8K and DXL2

Extraction was shot by cinematographer Newton Thomas Sigel, ASC, on two main cameras that basically are the same: RED Monstro 8K and Panavision DXL2. Both cameras own the same RED Monstro 8K VV sensor which allows 8K resolution on a huge 40.96 mm x 21.60 mm dimensions that enable the large-format look.

Panavision DXL2 with the RED Monstro 8K VV sensor
Panavision DXL2 with the RED Monstro 8K VV sensor

We believe that the RED Monstro was used within those intense action scenes and the DXL2 was utilized on more static shots. Furthermore, according to IMDB Tech Spec, the Red Dragon 6K was also used to shoot the film. Watch the BTS video below and try to identify those cameras:

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

We’ll keep you posted as more technical info will be revealed. 

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

3 Comments

  1. Extraction is one of the best movies to watch during this period of lock-down. I was getting information for my blog and it leads me to your blog. I love what you wrote about the movie and the information you add is so interesting. Please get some information from my Blog too. Thanks for the wonderful write-up I believe you are a pro. https://www.cardshure.com/fmovies/

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

MZed course: Vincent Laforet's Directing Motion
Previous Story

MZed Review: Vincent Laforet’s Directing Motion

Armin van Buuren Teaches Dance Music on MasterClass
Next Story

MasterClass Review: Armin van Buuren Teaches Dance Music – Part I

Latest from News

IMAX New 65mm Film Cameras: All Details

IMAX Next-Gen 65mm Film Cameras: All Details

This was one of the most fascinating sessions during NAB 2024. The lecture titled “The Art and Science of IMAX” sheds light on IMAX filmmaking and the upcoming next-generation of IMAX 65mm film…
Meet Vidu: A Sora Killer?

Meet Vidu: A Sora Killer?

Sora has not publicly launched yet, but its first contender has popped up. Meet Vidu, the Chinese answer to Sora. Vidu is China’s first long-duration, highly consistent, and highly dynamic video model.…
Netflix Starts to Prefer Low-Budget Filmmaking

Netflix Starts to Prefer Low-Budget Filmmaking

Netflix is pivoting to lower-budget filmmaking projects, moving away from the high-octane big-budget action flicks, the New York Times reports. That would be a piece of great news for filmmakers as it…
Nikon Wants to Develop Cinema Lenses

Nikon Wants to Develop Cinema Lenses

RED Digital Cinema CEO Keiji Oishi tells Televisual that Nikon is considering lens development for cinema, as a part of their strategic plan to enter strongly into the cinema market. Nikon’s plan…
Go toTop

Don't Miss

The Fall Guy: Shot on ARRI ALEXA 35 Paired With Panavision C and E-Series Lenses

The Fall Guy: Shot on ARRI ALEXA 35 Paired With Panavision C and E-Series Lenses

Shot with one of the newest cinema cameras paired with good & old glass, The Fall Guy which was released in cinemas today,
Nikon Wants to Develop Cinema Lenses

Nikon Wants to Develop Cinema Lenses

RED Digital Cinema CEO Keiji Oishi tells Televisual that Nikon is considering lens development for cinema, as a part of their strategic plan