The Lenses Behind Oscar 2019 Films
The Lenses Behind Oscar 2019 Films

Oscar 2019 Lenses: Cooke, Kowa, Angenieux, Arri, Zeiss, Leica and Panavision

2019-02-22
1 min read

A few days ago, we wrote about the cameras used to shot the Oscar 2019 films nominated for Best Picture and Cinematography. The article was a great success. A lot of our readers asked from us to do the same but with lenses, and they were right since lenses are crucial to imagery no less than cameras. So we made a little research, with the IMDB as our main reference, and created this cool write-up which summarizes and compares the films and the lenses used to shot them. There is defiantly higher variance regarding the lenses compared to cameras, but even so, it can be explored an inclination toward particular characteristics regarding lens type and optics manufacturers. The main optics companies here are Cooke, Kowa, Angenieux, Arri, Zeiss, Leica, and Panavision. The average price per lens is (at least) $20,000 (not for the average wallet) since it involves very precise, prestige and unique optics. Scroll down and enjoy! 

Click on images to view full screen. 

A Star Is Born-Cooke Anamorphic, Kowa Cine Prominar, Angenieux Optimo Anamorphic
A Star Is Born-Cooke Anamorphic, Kowa Cine Prominar, Angenieux Optimo Anamorphic
Black Panther- Panavision Primo
Black Panther- Panavision Primo
BlacKkKlansman- Zeiss Master Prime, Panavision PVintage
BlacKkKlansman- Zeiss Master Prime, Panavision PVintage
Bohemian Rhapsody- DNA & Prime 65, Cooke Speed Panchro
Bohemian Rhapsody- DNA & Prime 65, Cooke Speed Panchro
Cold War- Cooke S5, Zeiss Ultra Prime, Angenieux Optimo
Cold War- Cooke S5, Zeiss Ultra Prime, Angenieux Optimo
Green Book- Leica Summilux-C
Green Book- Leica Summilux-C
Never Look Away- Zeiss Master Prime
Never Look Away- Zeiss Master Prime
Roma- Prime 65
Roma- Prime 65
The Favourite- Panavision PVintage
The Favourite- Panavision PVintage
Vice- Cooke Anamorphic, Zeiss Super Speed, Todd AO Anamorphic
Vice- Cooke Anamorphic, Zeiss Super Speed, Todd AO Anamorphic

What are your takeaways regarding this data? Why other cinema lenses are being excluded from this list?  Let’s know your insights.

YMCinema is a premier online publication dedicated to the intersection of cinema and cutting-edge technology. As a trusted voice in the industry, YMCinema delivers in-depth reporting, expert analysis, and breaking news on professional camera systems, post-production tools, filmmaking innovations, and the evolving landscape of visual storytelling. Recognized by industry professionals, filmmakers, and tech enthusiasts alike, YMCinema stands at the forefront of cinema-tech journalism.

1 Comment

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Recent Posts

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

ASC, ACE and the Oscar 2019 controversy
Previous Story

The ‘Oscar 2019 Saga’ Showed that the ASC and ACE are the Sentinels of the Filmmakers

Adobe Premiere Pro and damaged MacBook Pro speakers - FIXED
Next Story

Adobe Fixes Premiere Pro Critical bug that Damaged MacBook Pro Speakers

Latest from Educate

Go toTop

Don't Miss

The Heroes of Adolescence: DJI Ronin 4D, and Cooke SP3 32mm

The Heroes of Adolescence: DJI Ronin 4D, and Cooke SP3 32mm

The British TV drama Adolescence, directed by Philip Barantini and shot by cinematographer Matthew Lewis, boldly takes on the challenge of the one-shot…

ARRI’s Strategic Shift: Innovating for the Future of Media & Entertainment

ARRI, a name synonymous with cinematic excellence, has long been a leader in the film and media production world. Known for its top-tier…